Yes, I’m well aware that it’s February. This list of albums has been sitting in my drafts since January 8th and I’m just now doing something with it. It seems I took a break from ye olde blogge for much of January in favor of trying out Tumblr. (I can’t decide if I like it or not. It seems to steal my longer-form writing thunder).
My varying tastes in music from day to day would make it pointless to put these albums in any best-to-worst order. So I went with the time-tested alphabetical order method, which is completely arbitrary if you think about it, but that’s a thought for another day.
Read on for my favorite albums that came out in 2009 (or thereabouts; I fudged a little). If you’ve been checking out my monthly playlists (you’re forgiven if you haven’t), most of this will not be a surprise.
And if you’re patient and make it all the way to the bottom, there’s a prize for you, in the form of a few select songs from these albums that I particularly enjoyed.
WARNING: This gets a bit lengthy, so get comfy.
Read on for my album picks for 2009!
- February 5th, 2010 at 10:30 am
Tags:
Akron/Family,
Animal Collective,
Antony and the Johnsons,
Black Moth Super Rainbow,
Camera Obscura,
David Bazan,
Dead Man's Bones,
Dirty Projectors,
Fever Ray,
Floating Action,
Fuck Buttons,
Glasvegas,
Grizzly Bear,
Health,
Iron & Wine,
Jay Reatard,
Jay-Z,
Jonsi & Alex,
Joshua James,
mewithoutYou,
Neko Case,
P.O.S.,
Passion Pit,
Ryan Bingham,
Ryan Bingham & the Dead Horses,
Silversun Pickups,
The Antlers,
The Big Pink,
The Dead Weather,
The Veils,
Wheat - Category: Music, Reviews
- No Comments »
September was a month of new albums that punched me square in the face (Jay-Z, David Bazan, Fun., The Avett Brothers), seeing Joshua James live and buying all his material that I didn’t already own, and a few things I bought and/or listened to during my trip to Australia.
October has begun, and with it will surely come an onslaught of contemplative and dark albums. David Bazan and Joshua James got a jump start on that, but I think my must-have fall album for 2009 has yet to unearth itself. I am taking suggestions.
- Jay-Z – “Jockin’” (The Blueprint 3)
- Lily Allen – “I Could Say” (It’s Not Me, It’s You)
- Jay-Z – “D.O.A. [Death of Auto-Tune]” (The Blueprint 3)
- Bruce Springsteen – “Nebraska” (Nebraska)
- Bruce Springsteen – “Highway Patrolman” (Nebraska)
- Jay-Z – “Young Forever” (The Blueprint 3)
- Fun. – “At Least I’m Not As Sad (As I Used to Be)” (Aim and Ignite)
- Fun. – “The Gambler” (Aim and Ignite)
- Joshua James – “Wilted Daisies” (Build Me This)
- Wilco – “Via Chicago” (Summerteeth)
- Joshua James – “Coal War” (Build Me This)
- Clues – “You Have My Eyes Now” (Clues)
- Joshua James – “Lawn Full of Marigolds” (Build Me This)
- Jonsi & Alex – “DanĂell In The Sea” (Riceboy Sleeps)
- David Bazan – “Hard to Be” (Curse Your Branches)
- David Bazan – “Bless This Mess” (Curse Your Branches)
- David Bazan – “In Stitches” (Curse Your Branches)
- David Bazan – “Bearing Witness” (Curse Your Branches)
- The Avett Brothers – “I and Love and You” (I and Love and You)
Bazan’s Curse Your Branches, due September 1 on Barsuk, is a visceral accounting of what happened after that. It’s a harrowing breakup record—except he’s dumping God, Jesus, and the evangelical life. It’s his first full-length solo album and also his most autobiographical effort: its drunken narratives, spasms of spiritual dissonance, and family tensions are all scenes from the recent past.
via The Passion of David Bazan – Chicago Reader
I might be one of the only music nerds with a Christian upbringing that jumped on the Pedro/Bazan train after his faith troubles. His struggle appeals to the part of me that constantly deals with doubt and flirts with atheistic/agnostic ways.
And this?
When I talk to some of those kids in the merch tent the day after Bazan’s set, many of them seem to be trying to spin the new songs, straining to categorize them as Christian so they can justify continuing to listen to them. One fan says it’s good that Bazan is singing about the perils of sin, “particularly sexual sin.” Another interprets the songs as a witness of addiction, the testimony of the stumbling man.
Well, that just makes me sad. And pushes me to identify with Bazan all the more. So many in such great denial. Don’t they know that we have warrant to explore the scariest questions of life?