Searching for God Knows What: Day Two
I finished reading book number four on my 2009 reading list: Donald Miller’s Searching for God Knows What. Miller has proved once again that he writes the books and exact statements I wish I were capable of writing. This week I’ll be posting bits of the book I wish I’d written.
…Moses, unlike most writers in Scripture, would stop the narrative to break into [poetry], a kind of poetry called parallelism, which is when you say something and then repeat it using different phrasing. [The] way Moses wrote wasn’t unlike the way people who write musicals stop the story every once in a while to break into song.
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The reason Moses would do this… is because there are emotions and situations and tensions that a human being feels in his life but can’t explain. And poetry is a literary tool that has the power to give a person the feeling he isn’t alone in those emotions, that, though there are no words to describe them, somebody understands.
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I wondered if when we take Christian theology out of the context of its narrative, when we ignore the poetry in which it is presented, when we turn it into formulas to help us achieve the American dream, we lose its meaning entirely, and the ideas become fodder for the head but have no impact on the way we live our lives or think about God. This is, perhaps, why people are so hostile toward religion.
A great, albeit indirect, argument for reconciling art and the gospel. Like Schaeffer said, evangelical Christians “have tended to relegate art to the very fringe of life” rather than embrace it as a fundamental tool to help comprehend that which is beyond our words, formulas and theology.
