I wrote a long rant-fest on Buzzgrinder about the Joshua Radin show I went to on Friday, so I am excusing myself from blogging for a day.

Enjoy that little slice of my smart-ass persona. It comes in handy when writing about music.

On Friday night, Craig and I got to see Sigur Rós at UC Berkeley’s Greek Theater. It’s an outdoor venue and rain was in the forecast. I hoped it would hold off, but I never could have expected what actually happened.

We stayed dry for the entire show and were thankful, and the band came out to do a final song for the encore: Untitled 8 (aka Popplagið). One of their most popular songs, and definitely one of the grandest and most epic songs I’ve ever heard. As the song started to build to its climax, a mist started to form over the crowd, and as the song progressed the rain began to pour harder and harder.

Watch this video that someone got of the song. It’s hard to see the rain in the video, but when the crowd starts to cheer a couple minutes in, that’s when it started to come down.

Craig said I looked happier than I’ve been in a long time in those few minutes. It’s true. I might sound like a complete sap, but it was one of the most worshipful, beautiful moments in my life thus far. I still get goosebumps thinking about it.

Yep. Fall is here. Gone are the sunny pop songs of spring and summer. In come the introspective, calm-but-questioning sounds of autumn.

Change is afoot.

1. Jakob – “Pneumonic” (Solace)
2. The Velvet Underground – “Who Loves the Sun” (Loaded)
3. Radiohead – “There There” (Hail to the Thief)
4. M83 – “Lower Your Eyelids to Die With the Sun” (Before the Dawn Heals Us)
5. The New Pornographers – “These Are the Fables” (Twin Cinema)
6. Joshua James – “Today” (The Sun Is Always Brighter)
7. dan le sac vs. Scroobius Pip – “Letter from God to Man” (Angles)
8. Neko Case – “Look For Me (I’ll Be Around)” (Blacklisted)
9. Joshua James – “Winter Storm” (The Sun Is Always Brighter)
10. Neko Case – “I Wish I Was the Moon” (Blacklisted)
11. mewithoutYou – “Carousels” (Catch For Us the Foxes)
12. TV On the Radio – “Crying” (Dear Science)
13. Jay-Z – “Renegade” (The Blueprint)
14. Hammock – “We Will Say Goodbye to Everyone” (Maybe They Will Sing For Us Tomorrow)
15. Ingrid Michaelson – “The Way I Am” (Girls and Boys)
16. Edgar Meyer and Chris Thile – “The Farmer and the Duck” (Edgar Meyer and Chris Thile)

P.S. If you get a chance to, go see Edgar Meyer and Chris Thile live. I saw them last weekend in Irvine and was thoroughly impressed. It’s a beautiful thing to see modern legends collaborate so well with each other. And if you don’t get a chance, at least pick up a copy of the album.

Tonight is the night I see Radiohead. (And Liars!) It’s also the night I get to hang out with Leah and commemorate what would be the birthday of JD Rhea. We’ll both have goosebumps and tears for more reasons than can be counted.

The best part of all this, aside from having the potential to be the most memorable night in recent years, is that there’s a rumor buzzing that video of the show is going to be broadcast online. That means that, by next week, I’ll be able to find a professionally-shot video of the most significant concert I’ve ever attended that I’ll be able to keep forever. Now that’s cool.

If you care to get a play-by-play, you can be watching my Twitter for updates.

This is shaping up to be a wonderful day.

Oh hey, it’s April. Time flies when you’re having… a busy month. Or something.

So for those of you that don’t read Buzzgrinder — which, according to my highly-detailed traffic metrics, is 100% of all two of you — it might be worth noting that I didn’t get Radiohead tickets despite staying up all night for that sole reason. Still looking for an outlet for my anger. Someone buy me a punching bag. Or, even better, Radiohead tickets. (Preferably ones where I can actually, you know, see the band without binoculars.)

March was more dub, a few ambient discoveries and rediscoveries (Stars of the Lid and Brian Eno, respectively) and remembering a bunch of stuff was good that I hadn’t listened to in a while. Oh, and sometimes watching TV influences my music listening, oddly enough. That’s where Yael Naïm and José Gonzalez came from.

1. Marilyn Manson – “The Reflecting God” (Antichrist Superstar)
2. Dub Trio – “Awakening Dub” (Exploring the Dangers Of)
3. Envy – “A Will Remains In The Ashes” (A Dead Sinking Story)
4. Brian Eno – “1/1″ (Ambient 1: Music for Airports)
5. Bloc Party – “Banquet” (Silent Alarm)
6. Gorillaz – “Dracula” (Gorillaz)
7. Boys Like Girls – “The Great Escape” (Boys Like Girls)
8. Nickel Creek – “Doubting Thomas” (Why Should the Fire Die?)
9. He Is Legend – “(((louds” (Suck Out the Poison)
10. Public Enemy – “Son of a Bush” (Body Of War: Songs That Inspired An Iraq War Veteran)
11. Bright Eyes – “When the President Talks To God” (Body Of War: Songs That Inspired An Iraq War Veteran)
12. Yael Naïm – “New Soul” (Yael Naïm)
13. Rogue Wave – “California” (Descended Like Vultures)
14. Stars of the Lid – “Even If You’re Never Awake” (and Their Refinement of the Decline)
15. José Gonzalez – “Killing For Love” (In Our Nature)
16. José Gonzalez – “Teardrop” (In Our Nature)

Note to self: although the Santa Barbara Bowl’s site says quite clearly that there are no cameras allowed, security doesn’t seem to care about such things.

The Shins did a great job on Saturday, and we enjoyed ourselves despite bad seats. I can’t track down a set list anywhere, unfortunately, but they did play all their big favorites (Caring Is Creepy and New Slang got the most cheers, of course) and they played the two I wanted to hear: Sea Legs and Phantom Limb. The show-stopper, though, was during their encore: they pulled off an amazing rendition of Pink Floyd’s Breathe that made the crowd go insane.

If anyone ever doubts that The Shins have the talent to prove their worth beyond their run-of-the-mill indie pop, go see them live.

Well, first off, let’s get this out of the way: I was at Starbucks that Friday morning and held the door for Nickel Creek violinist Sara Watkins on my way out. I didn’t realize it until I was out the door. There’s a lot more back-story to that, but we’ll leave it at that.

This was the second time I’d seen Nickel Creek, so I had my expectations and they didn’t disappoint. They played a shorter version of their normal set (the curse of every music festival). The only song I was unfamiliar with was a new one that I’m guessing mandolinist Chris Thile wrote post-divorce. Something about “don’t set me up with one of your friends.” It was funny. But kind of sad at the same time.

I’m glad I got to see them again, considering this is their final tour before they take an indefinite hiatus to work on their solo projects and such.

I didn’t take my camera to Coachella (intentionally) but if you want pictures, Flickr has plenty.

I apologize. I said I would be let you know how Coachella went and it’s been a week already. That’s like ten years in blogger news time. Or something. Now I’m probably going to go into overkill mode; I intend to review each of the twenty-some acts I saw. If you’re not a fan of overkill, you can read daily summaries over at Buzzgrinder California, where I’m starting to help out.

Going chronologically, my first victim shall be the Comedians Of Comedy. The only non-music act all weekend. Whatever.

I was excited to check these guys out because I’ve gotten my share of laughs from a few of their comedians on Comedy Central and I’ve always enjoyed Patton Oswalt’s character on King Of Queens.

Oswalt was the emcee so he was out first to warm up the crowd. I’m not quite sure where he went wrong, but nobody was laughing. Maybe it was because his first words on stage were asking everyone to sit down, and then pointing out and making fun of individuals who couldn’t find room to sit. Then he sang some random “hobo songs” that made no sense, and gave a disgusting description of what it must look like for a 60-year-old woman giving birth. Then he introduced Jasper Redd, who got even less laughs, if that were even possible. I decided to leave before things turned violent.

Underoath and Taking Back Sunday played at Cal Poly, San Luis Obispo tonight.

Underoath live: absolutely great. Taking Back Sunday live: not so much. Considering TBS went on at 9:15 pm and it is currently 9:55 pm as I write this and it takes at least twenty minutes to walk to my car and drive home from Cal Poly and I’ve been home for 15 minutes, you can conclude what happened here.

And I very rarely leave a show early.

Stay tuned for some deep thoughts in the near future. Spare time is… sparing lately. I have not abandoned you, blogosphere.

SXSW has finally released the official lineup. My initial count is at 1334 artists. Wow. I’m not even going to try and count how many of those I’d want to see because I already know I can’t go.