The Hold Steady – Heaven is Whenever

Need any more proof that Craig Finn is a genius? Aside from writing a song essentially about the Catholic concept of heaven coming to earth every time we perform Mass (though his communion is over vinyl rather than bread and wine; no complaints here), check out the research done by some Hold Steady fans to uncover ten or fifteen references in four and a half minutes.

The way Finn weaves countless cultural, religious and personal reflections into a single song that means the world to a lot of people (well, at least two that I know of) is endlessly comforting.

I’m reminded of Scott Adams’s theory of God’s debris: that, as time moves forward, the world at large slowly converges back into a single consciousness that is the consciousness of God himself. Finn might be the patron saint of this idea, if for no other reason than to prove we’re getting better at massive consciousness in compact form. It’s a beautiful thing.

I guess you could say July was a busy month. I had ear surgery at the end of the month, so I think my brains were trying to get in as much music before I’d be down for the count for a few weeks while my hearing comes back. Sucks to be me.

The beginning of the month brought a re-run epiphany that Pavement succeeded at what Nirvana was trying to do. Long story for another post. And then I found the This Is Dubstep comps and got hopelessly lost in electronic music for the rest of the month. I only took breaks for some new releases, like the new New Pornographers, the new M.I.A., Admiral Radley, Acacia Strain, Best Coast and Max Richter. And in the middle there somewhere was a phenomenal Hold Steady/Whigs show in Memphis. Needless to say, I’m a bit music saturated in my current environment and I am not going to complain about it.

1. Pavement – “Here” (Slanted and Enchanted)
2. Chasing Shadows – “Ill” (GetDarker Presents: This Is Dubstep 2)
3. Tes La Rok – “Darkness Falls Upon Us” (GetDarker Presents: This Is Dubstep)
4. Drumsound & Bassline Smith – “R U Ready (Dubstep Mix)” (GetDarker Presents: This Is Dubstep 2)
5. Fused Forces – “Chemical Reaction” (GetDarker Presents: This Is Dubstep 2)
6. Lung – “Afterlife” (GetDarker Presents: This Is Dubstep 2)
7. The New Pornographers – “Crash Years” (Together)
8. The New Pornographers – “Valkyrie In the Roller Disco” (Together)
9. The Hold Steady – “Positive Jam” (Almost Killed Me)
10. The Whigs – “Right Hand On My Heart” (Mission Control)
11. M.I.A. – “Teqkilla” (MAYA)
12. M.I.A. – “Meds and Feds” (MAYA)
13. Admiral Radley – “I Heart California” (I Heart California)
14. The Hold Steady – “Soft In the Center” (Heaven Is Whenever)
15. Beach House – “Walk in the Park” (Teen Dream)
16. The Acacia Strain – “Btm Fdr” (Wormwood)
17. Max Richter – “Infra 5″ (Infra)
18. Best Coast – “Summer Mood” (Crazy For You)

And here is your playlist, as usual.

Happy July! I don’t even know what to say about my musical selections for June. I reviewed some albums for Ghettoblaster (Sarah Jaffe), continued to get stoked on the new Hold Steady album, saw David Bazan and mewithoutYou live and crept into a major electronic music phase, which I am currently entrenched in. My monthly playlist for July will be packed with it, don’t you worry.

1. Mumford & Sons – “Winter Winds” (Sigh No More)
2. Wye Oak – “That I Do (Mickey Free remix)” (My Neighbor / My Creator EP)
3. The Polyphonic Spree – “Section 2 (It’s the Sun)” (The Beginning Stages of…)
4. N.A.S.A. – Spacious Thoughts (feat. Tom Waits & Kool Keith)” (The Spirit of Apollo)
5. Iron & Wine – “Peace Beneath the City” (The Shepherd’s Dog)
6. This Will Destroy You – “Brutalism & the Worship of the Machine” (Field Studies)
7. The Hold Steady – “Rock Problems” (Heaven Is Whenever)
8. Sarah Jaffe – “Clementine” (Suburban Nature)
9. mewithoutYou – “Timothy Hay” (it’s all crazy! it’s all false! it’s all a dream! it’s alright)
10. Zomby – “Spliff Dub (Rustie remix)” (Mu5h / Spliff Dub single)
11. Burial – “Shutta” (Ghost Hardware EP)
12. Sleigh Bells – “Tell ‘Em” (Treats)
13. Wye Oak – “For Prayer” (The Knot)

And, of course, here’s your free, streaming playlist of all the songs above.

Oh hey. I guess it’s June now. When did that happen?

New albums from Roky Erickson, The Hold Steady, The National, LCD Soundsystem, Gayngs and Horse Feathers ruled the month, it seems. Otherwise it was a fairly quiet month.

1. Roky Erickson with Okkervil River – “Please, Judge” (True Love Cast Out All Evil)
2. Horse Feathers – “Thistled Spring” (Thistled Spring)
3. The Hold Steady – “We Can Get Together” (Heaven Is Whenever)
4. The National – “Bloodbuzz Ohio” (High Violet)
5. Gayngs – “The Last Prom On Earth” (Relayted)
6. Earth – “The Bees Made Honey In The Lion’s Skull” (The Bees Made Honey In The Lion’s Skull)
7. Avi Buffalo – “What’s In It For?” (Avi Buffalo)
8. Jesse Malin and the St. Marks Social – “Burning the Bowery” (Burning the Bowery)
9. LCD Soundsystem – “Dance Yrself Clean” (This Is Happening)
10. Sufjan Stevens – “Redford (for Yia-Yia and Pappou)” (Michigan)
11. Zomby – “Daft Punk Rave” (Where Were U in ’92?)
12. Iyaz – “Replay” (Replay)
13. Jason DeRulo – “Whatcha Say” (Jason DeRulo)

And, and always, you can listen here:

Oh, hello there. How’s your family? I live in Nashville now. How’s that for crazy? Hopefully that whole moving-across-the-country thing is a good enough excuse for my lack of writing output. I’ll be back to it soon, I promise.

April was an exciting month, and not only due to my move. Not only did Jónsi, of Sigur Rós fame, release his first solo album, but I also got to go up to Amoeba Records in San Francisco to see him play a live acoustic set for Record Store Day a few days before my move. And the week before that, I was lucky enough to see Beach House perform to a sold-out crowd in town. A great goodbye from California, if I may say so.

The rest of the month was spent driving and visiting and driving and moving boxes and painting furniture and other such things, so the list is a bit more slim than usual. I hope you are enjoying your day as much as I’m enjoying mine.

1. Jónsi – “Go Do” (Go)
2. The Sight Below – “Splénétique” (It All Falls Apart)
3. Radiohead – “I Am A Wicked Child” (Com Lag: 2plus2isfive)
4. Wye Oak – “For Prayer” (The Knot)
5. Beach House – “Zebra” (Teen Dream)
6. Beach House – “Take Care” (Teen Dream)
7. Mimicking Birds – “The Loop” (Mimicking Birds)
8. The Tallest Man On Earth – “A Lion’s Heart” (The Wild Hunt)
9. The Hold Steady – “Slapped Actress” (Stay Positive)

And now you can listen to (most of) these tracks, because it’s just a good idea.

This month’s list is large because time kind of dragged on and on. Probably because I’m counting down the days until I move to Nashville. But hey, a lot of good music came out this month, so that is cause for celebration! If anything on here isn’t due to a new release, it’s due to me just now getting back to a release or two that I’ve been meaning to enjoy more (like Local Natives, Freelance Whales and Surfer Blood).

1. Four Tet – “Love Cry” (There Is Love In You)
2. Mumford & Sons – “Little Lion Man” (Sigh No More)
3. Frightened Rabbit – “The Loneliness and the Scream” (The Winter of Mixed Drinks)
4. The Jimi Hendrix Experience – “Red House” (Are You Experienced?)
5. Anais Mitchell – “Wedding Song (feat. Justin Vernon)” (Hadestown)
6. Broken Bells – “The High Road” (Broken Bells)
7. The Chieftains – “La Iguana (feat. Lila Downs)” (San Patricio)
8. Titus Andronicus – “A More Perfect Union” (The Monitor)
9. First Aid Kid – “Tiger Mountain Peasant Song” (Drunken Trees EP)
10. Local Natives – “Airplanes” (Gorilla Manor)
11. Liars – “Scissor” (Sisterworld)
12. The White Stripes – “Icky Thump” (Under Great White Northern Lights)
13. Freelance Whales – “Generator ^ Second Floor” (Weathervanes)
14. Surfer Blood – “Swim” (Astro Coast)
15. Surfer Blood – “Take It Easy” (Astro Coast)
16. Ryan Bingham & the Dead Horses – “Bluebird” (Roadhouse Sun)
17. Manchester Orchestra – “100 Dollars” (Mean Everything to Nothing)
18. Manchester Orchestra – “I Can Feel a Hot One” (Mean Everything to Nothing)
19. Deftones – “Diamond Eyes” (Diamond Eyes single)
20. The Dillinger Escape Plan – “Farewell, Mona Lisa” (Option Paralysis)
21. Silversun Pickups – “Growing Old is Getting Old” (Swoon)
22. The Boxer Rebellion – “Soviets” (Union)

And, as always, here is your mix:

Given its “by the people, for the people” punk roots, indie’s most relevant definition would seem to come from its fans, its most fervent believers. But take to the Internet — the homeless home of this decade’s most important scene — and you’ll find that any definition set forth has been swiftly and furiously countered.

Paste Magazine posed the question: is indie dead?. A good article that addresses an issue that needed to be explored at length. Rachael Maddux treats the subject well, addressing it from several perspectives.

Her final conclusion (not to spoil it for you; you should read the article to see a fine journalistic specimen regardless) is that yes, indie is dead.

She makes her point in a roundabout way, but abuses the term “dead” in my opinion. Indie is not dead, it’s just become a singularity. Much like the Nietzsche-posed question “is God dead?,” which she addresses, which more states that “God” means too many things to mean anything. Which is exactly what “indie” is: too much to be something any more.

I have friends who say “indie” when they mean independent. They’re usually the ones with a grasp on the recent history of pop culture. But to the rest — generally the less history-aware — it means “quirky” or “authentic” or a hundred other things.

Or they don’t know what indie means at all, so wrapped up in a world of the mainstream that they’re entirely unaware something else exists outside a world of corporate-sponsored entertainment based on market research. They probably don’t even know that market research exists.

Maybe indie is no more dead than any other thing that was never alive in the first place; I suppose the real issue here is deciding what “dead” and “alive” mean.

It’s no secret that I’ve had a thing for pretty much everything Ryan Adams does for quite some time. I own a good handful of his many albums, I read his blog, followed his Twitter, watched him on Tumblr, and wherever else he chose to publish his words, videos and songs for 10 days at a time before deleting it all.

It started when a good friend introduced me to his album Love is Hell — one of the saddest and most beautiful collections of alt. country and piano ballads about heartbreak ever put to tape. It started a snowball effect that has slowed down but I doubt will ever stop until he does. (Coincidentally, he stated a while back that he’s on an indefinite hiatus from making music, so maybe that time has already come.)

So it comes as no surprise to most that I finally got around to reading Infinity Blues, his book of poems that he wrote a year or two ago.

Adams has undergone what seems to be a significant transformation in the last few years, having given up several addictions, getting married and, generally speaking, doing everything he can to shed the asshole image he had created for himself during several years of self-destructive actions on stage and off.

If nothing else, Infinity Blues is a look into the mind of Adams at the age of 33. It’s frantic, thoughtful, funny, sad and all over the map from one moment to the next. He talks candidly — and yet still with a shroud over names and events — about his broken family, lost loves, life in the city, art, faith and everything. In one poem he claims that he wrote anywhere from 3 to 17 poems a day for the book which, knowing his prolific creation schedule, isn’t too surprising.

If you like free verse poetry or watching Adams “find himself by losing himself,” Infinity Blues might be worth a read.

A few years ago a friend of mine and I started making a playlist for every month, in a sense to act as a piece of nostalgia, as something of a musical fingerprint of a moment in time.

February. A pretty dang good month. Aside from some fun health problems and getting my wisdom teeth pulled, that is. So it must have been pretty awesome otherwise to make up for that.

Most of these tracks are random perusals back through my library, a couple new releases (Beach House and Magnetic Fields, mostly) and a step back into exploring dubstep a bit more.

And then there’s that 30 Seconds to Mars track. Can someone explain to me why it’s not cool to like them? Listen to the song in the attached playlist (and all the others, of course) and tell me it’s not a solid pop song.

1. The Gaslight Anthem – “The ’59 Sound” (The ’59 Sound)
2. Wilco – “Theologians” (A Ghost is Born)
3. The Gaslight Anthem – “Here’s Looking At You, Kid” (The ’59 Sound)
4. Ryan Bingham – “Change Is” (Roadhouse Sun)
5. Yeasayer – “Ambling Alp” (Odd Blood)
6. Beach House – “Zebra” (Teen Dream)
7. Beach House – “Walk In the Park” (Teen Dream)
8. Magnetic Fields – “You Must Be Out of Your Mind” (Realism)
9. Wu-Tang Clan – “Deep Space (Jay Da Flex & Yoof remix)” (Wu-Tang Meets the Indie Culture Vol. 2: Enter the Dubstep)
10. Wu-Tang Clan – “New Year Banga (Rogue Star remix)” (Wu-Tang Meets the Indie Culture Vol. 2: Enter the Dubstep)
11. DJ Hidden – “Death at a Distance” (Death at a Distance)
12. 30 Seconds to Mars – “Kings and Queens” (This is War)

Yes, I’m well aware that it’s February. This list of albums has been sitting in my drafts since January 8th and I’m just now doing something with it. It seems I took a break from ye olde blogge for much of January in favor of trying out Tumblr. (I can’t decide if I like it or not. It seems to steal my longer-form writing thunder).

My varying tastes in music from day to day would make it pointless to put these albums in any best-to-worst order. So I went with the time-tested alphabetical order method, which is completely arbitrary if you think about it, but that’s a thought for another day.

Read on for my favorite albums that came out in 2009 (or thereabouts; I fudged a little). If you’ve been checking out my monthly playlists (you’re forgiven if you haven’t), most of this will not be a surprise.

And if you’re patient and make it all the way to the bottom, there’s a prize for you, in the form of a few select songs from these albums that I particularly enjoyed.

WARNING: This gets a bit lengthy, so get comfy.

Read on for my album picks for 2009!